hen it comes to editing your images, one of the most difficult things to get to grips with is the concept of colour management. The idea here is that by creating and using colour profiles for your monitor and other devices, you’ll be able to get predictable colour rendition throughout your entire workflow. In other words, what you see on your computer screen will accurately reflect the colours that are present in your image files, and will in turn be closely matched when you come to make a print. It’s difficult to argue that this doesn’t sound like a good idea.
