The Atlantic

Your Bubble Is Not the Culture

From "Hamilton" to "Harry Potter," critics keep misreading popular culture and writing off things that their audiences love. Why?
Betsie Van der Meer / Getty

As for the Wizarding World: In 2020, the year Rowling made her most pointed statements on transgender issues, Harry Potter sales went up for its British publisher, Bloomsbury. In fact, “the paperback edition of ‘Harry Potter and the Philosopher’s Stone’ was the fifth-bestselling children’s book of 2020 to date, 23 years after it was first published.” This past June, the biggest Harry Potter store in the world opened in New York City to rave reviews. HBO is currently airing several specials celebrating 20 years since the first Harry Potter movie. And despite the pandemic, Harry Potter and the Cursed Child has reopened on Broadway. The persistent popularity of Potter probably explains why outlets whose critics insist that the Potter party is over keep publishing pieces about the franchise. Insider, for example, has run over 80 such items—from “What It’s Like to Visit the Real-Life Diagon Alley” to “28 Major ‘Harry Potter’ Movie Deaths, Ranked From Least to Most Heartbreaking”—in the last year alone. Some cultural critics may not know that Harry Potter is still massively popular, but the people running the click farms they work for do.

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