Shida Shahabi’s music is an eclectic mix of vast piano and cello sounds with mesmerising, textured drones. It’s subtle, unhurried and spacious, probably a far cry from her background, raised as she was by Iranian parents during the ’90s in Stockholm with a soundtrack of Persian pop, punk and grunge. Shida would eventually veer towards the darker, deeper and arguably more thoughtful leanings of The Cure, Cocteau Twins and My Bloody Valentine, as she strove for her own sound. Her 2018 debut release Homes was warmly appreciated by critics who described her as ‘a bold new voice’. She now has a stripped-back approach to her music which is matched by a minimal studio setup. Shida believes we could likely all finally finish those tunes if we just flexed that finishing muscle a little more. Here she details how that lightweight production process can lead to a heavyweight, emotional sound. She also expands on how to embrace the unknown: “that vagueness can sometimes surprise you, I appreciate it when I don’t entirely know where it is heading…”
1 Tell us a little about what you do and your musical background…
“I work as
