Computer Music

#22 ZebraCM bespoke LFO filter bass

Talk to ten different producers, and they’ll have ten different weapons of choice and techniques for creating their own distinctive sound. In many cases, it’s simple decisions, emboldened by supporting elements and structure. As a case in point, this month we draw inspiration from composer and producer Bonobo. Apart from his widespread appeal, his work has benefited from huge critical acclaim, in part thanks to a stylised methodology, which draws on a blend of vintage and contemporary synthesisers, plugins and modular gear.

We are going to drill down into a relatively useful bass sound, which could be attributed to the sort of thing you might easily create on a vintage hardware synthesiser. Using our ZebraCM plugin, we

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Next Issue
In our next issue we’re going to show you how to craft and deploy time-based effects such as stutter, reverse, half-time playback, pitchbending and beyond, simply and effectively. We’ll also arm you with a very cool gift to aid you in your time-trave

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