Interface
cm: Hi guys, let’s start with your latest release, Time Oddity Chorus. Can you talk us through what your new chorus plugin brings to the table?
Or: “Basically, it didn’t start as a chorus plugin, it started as a segment within another plugin. We developed EON-Arp which is an arpeggiator. It had a mini-synth with a fairly simple delay module. Eyal programmed this cool filter delay and we loved it. When we started getting into processing plugins, we wondered what we had already made that we like and could expand on. We ended up tweaking that delay so much and adding a bunch of features that it became this sort of modulation engine that can produce all kinds of different effects. We immediately were drawn to the whole chorus and phaser area. It’s a very gratifying and distinct effect. We identified that we had got somewhere cool, then Eyal added the LFO aspect. It sort of built itself because we were excited about the project and understood that this would be a very cool first release for this engine.
“We feel like we’ve managed to make something that’s pretty distinct in the character and voicing of the plugin. But also, I felt that most [chorus] plugins fall into the category of something that either models a specific device (like a Juno chorus, for example) or they’re modulation-station, feature-packed products. We
