UNCUT

LIFETONES Café Oto, London, April 15

THERE’S something different about the energy at Café Oto this evening. As the venue slowly fills to capacity, there are young children moving among the crowd of experimental music connoisseurs. When one of them grabs the microphone, it seems like a transgression of this generally reverential place. That is until he says, “Will you please welcome… Charles Bullen!”

If this weekend’s Lifetones residency has and . There was improvisation and noise, but also cats with “heavy vibes”.

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT2 min read
Let’s Get Lost
After a ramshackle 1988 debut, the Trux unpack their first great visionary work, a double album sprawl of densely layered noise-rock, driven by fractured rhythms, feral guitar riffs and vocals that nudge the pain barrier. 9/10 A first real dalliance
UNCUT2 min read
Q&A
What did you think of Rolling Stone and other publications centring so heavily on the Hendrix comparisons? I felt what we were doing was something unique, and that can make it difficult to pin down. It’s not always easy to find helpful reference poin
UNCUT1 min read
Art And Sol
DRAG CITY, 2000 Grubbs explores more conventional song structures on his fourth solo album but it’s not all mellow acoustic numbers. His inclination for the experimental comes through loud and clear on the drony majesty of “Stanwell Perpetual”, while

Related Books & Audiobooks