More from UNCUT

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“We Were All In Tears”
WHEN Slowdive were asked to play Barcelona’s Primavera Festival on May 30, 2014, it signalled one of rock’s most unlikely second acts. “We were all in shock that we were doing it,” says Neil Halstead. “We did a few gigs leading up to it, but nothing
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Q&A
What did you think of Rolling Stone and other publications centring so heavily on the Hendrix comparisons? I felt what we were doing was something unique, and that can make it difficult to pin down. It’s not always easy to find helpful reference poin
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Art And Sol
DRAG CITY, 2000 Grubbs explores more conventional song structures on his fourth solo album but it’s not all mellow acoustic numbers. His inclination for the experimental comes through loud and clear on the drony majesty of “Stanwell Perpetual”, while

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