NPR

Wednesday's 'Rat Saw God' is fearlessly, chaotically, grimly American

The Asheville, N.C., band's new album blends country and shoegaze influences in a thrilling set of songs that capture youthful debauchery and local lore against a backdrop of strip malls and highways.
Wednesday's 'Rat Saw God' is out April 7.

There was "a tear in every word," is how longtime producer Billy Sherrill once described Tammy Wynette's singing voice. It was the first lady of country music's signature: a trembling, anguished voice that seemed to hold a teardrop in each note. Wynette had the ability to sell songs like "D-I-V-O-R-C-E" or "I Don't Wanna Play House," '60s suburban melodramas as flat as paper dolls, with a devastation that rendered them into full-bodied human tragedies, her voice starting and halting like a broken train sputtering to its destination. It's on "Stand By Your Man," of course, where you can hear those tears gather into a full-on breakdown, that voice twisting into a wail with every high note. That singing was precisely why Wynette never wanted to release the song — begged Sherrill not to, actually. Wynette thought she sounded like a squealing pig.

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