The Atlantic

<em>Cocaine Bear</em> Is Exactly What It Sounds Like

Elizabeth Banks has promised her viewers no more than a bear on drugs, and a bear on drugs is what they get.
Source: Universal Pictures

Pretty early into ’s running time, I started searching desperately for the metaphor. Elizabeth Banks’s action-comedy-horror is, , about a black bear in 1980s Georgia who eats a lot of cocaine that fell out of an airplane. The cocaine makes her angry and hungry for more cocaine, and given that she’s already a big bear with sharp claws, the combination is quite distressing for the people in the forest around her. I wondered as the bear mauled yet another victim on-screen. Perhaps a critique of selfish 1980s individualism: No amount of money or expensive products can protect you from a coked-up bear! Or maybe it’s a statement about the dangers of our modern world encroaching on nature?

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic5 min read
The Strangest Job in the World
This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here. The role of first lady couldn’t be stranger. You attain the position almost by accident, simply by virtue of being married to the president
The Atlantic8 min readAmerican Government
The Return of the John Birch Society
Michael Smart chuckled as he thought back to their banishment. Truthfully he couldn’t say for sure what the problem had been, why it was that in 2012, the John Birch Society—the far-right organization historically steeped in conspiracism and oppositi
The Atlantic3 min readDiscrimination & Race Relations
The Legacy of Charles V. Hamilton and Black Power
This is an edition of Time-Travel Thursdays, a journey through The Atlantic’s archives to contextualize the present and surface delightful treasures. Sign up here. This week, The New York Times published news of the death of Charles V. Hamilton, the

Related