NPR

Drake and 21 Savage are sore winners on 'Her Loss'

The duo trades threats and out-of-pocket disses of virtually everyone they've ever encountered on a new album. It's ugly, but it mostly works as a more targeted, focused version of Drake's whole deal.
Despite the churlishness, or maybe because of it, Drake sounds, for the first time in a long time, like he's actually enjoying rapping.

In 1966, writer Stan Lee and artist Jack Kirby, the creative team at the center of the golden era of Marvel Comics, created Galactus, a massive alien god who travels the universe in a hulking purple helmet, consuming entire planets in order to keep himself alive. Drake has become rap's own Galactus, subsuming bits of his collaborators' traits — a flow here, a vocal intonation there, maybe an accent or an entire worldview — into his persona. Each Drake collaboration is creative sustenance.

This feasting is an artistic method that casts him as a perpetual student of hip-hop in admiration of rap's trendsetters and legends, even as they become his peers. On 2015's , a joint album with the tormented Atlanta rapper Future, the pair plumbed the depths of loneliness from the inside of opulent strip clubs. Every single time Drake and Miami's faux kingpin Rick Ross link up, they create lush, sumptuous music that sounds like diving into a Scrooge McDuck-style pool of gold coins during a sunset so impossibly beautiful that your eyes

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