High Times

AGAINST THE GRAIN

Santigold is a gift. The genre-smashing artist has an innate musical ability to transcend any imposed boundaries, resulting in an enticing gumbo of hip-hop, reggae, new wave, and ’80s pop, to name a few. Her fourth studio album, Spirituals, released in September, finds the Philly native once again embracing her experimental tendencies and further establishing her inimitable sound, all with a fresh perspective.

After all, it’s been a long four years since she released   mixtape. Not only is she the mother to three children (including twins), but she also, like the rest of us, has gone through a life-altering pandemic. Beginning in March 2020, as COVID-19 began its rampage, the concert industry came to a screeching halt, forcing everyone into isolation. No more concerts. No more tours. No more insufferable nights sleeping on tour buses or enduring cramped flights. All of it—good and bad—was over. During that time,

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