CONNECTIVITY EXPLORED
ey there, bass players! I don’t know about you, but when I sit down to craft a bass-line, I like to find a nice balance of flavors. Maybe I’ll stick to something classic, like chord tones with a splash of pentatonics, or perhaps I’ll add a few sour notes to tug at the listener’s ear in the form of half-step dissonance. It’s a delightful cocktail of sorts, complete with a few harmonious liquors and a touch of bitters. The process of mixing and matching notes that are deemed “right” with those that are deemed “wrong” can be a delicate recipe,
