Are Audiences Smart Enough to Handle Ambiguity?
About 25 centuries ago, in The Republic, Plato banished poets and playwrights from his ideal city, claiming that their work “is likely to distort the thought of anyone who hears it.” Plato worried that after witnessing the extremities of human behavior represented by storytellers, we might imitate that behavior in real life, resulting in disorder, division, violence, and chaos. He was skeptical of our capacity to distinguish between what’s real and what’s imagined, and likewise of our capacity to draw positive and productive insights for life and action from what we watch. So too are contemporary culture warriors, who are convinced, and keen to convince others, that when, for instance, something racist is depicted in a film and not clearly condemned, the film has incorrigible, racist effects—and deserves condemnation. But unlike Plato and the hashtag brigades, I’m willing to gamble that audiences will get it right, and that something good can come from them struggling to do so.
What’s led me to Plato is the controversy surrounding Paul Thomas Anderson’s, a loose “with nominations and awards would normalize more egregious mocking of Asians in this country.”
