‘The French Dispatch’ review: This time, Wes Anderson traps Bill Murray and cast in the world of his invention

The great Hollywood film composer David Raksin said it: “None of my music should ever be played for the first time, since it only confuses people.”

I’ve read several colleagues (those who traveled the festival circuit earlier this year) say something similar about Wes Anderson’s new film “The French Dispatch” — that it doesn’t benefit from a second viewing, it requires one, so elaborate is