The Artist Magazine

Catch that wave!

As soon as the weather ‘turns nasty’ I head for the sea with a sketchbook. To catch something as elusive as wave motion is not easy. The temptation is to take a photograph and copy that, but that misses the whole point of illustrating an experience.

For this type of drawing I like to work A3 or larger, even if it flaps around in the wind! I usually work with a felt pen or Fude (ink brush), which produces particularly expressive strokes. I like to use a variety of gestural strokes to suggest movement, rather in the manner of Rococo architecture. Van Gogh was very good at this. I know the crashing wave is a much-used convention bordering on the hackneyed, along with sunsets. However, you should not be deterred from putting your own observations down, if only to enjoy the exhilaration of doing so. I have witnessed

You’re reading a preview, subscribe to read more.

More from The Artist Magazine

The Artist Magazine5 min readVisual Arts
The Fragility Of Flowers
Penny German is an artist from Northamptonshire who paints from life, in oils, either still-life objects and flowers or plein-air work. She is a member of the Chelsea Art Society, Northampton Town and County Art Society and an associate member of the
The Artist Magazine2 min read
WELCOME From The Editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum Welcome to my first issue of The Artist as editor. A new face at the front of the magazine but certainl
The Artist Magazine14 min read
The Magnificent Seven
The seven oil colours I will be using for this article are manufactured by Wallace Seymour Fine Art Products comprise: titanium white, cadmium yellow lemon, cadmium red, cobalt blue, ultramarine blue, alizarin crimson and burnt umber. The reason why

Related Books & Audiobooks