The Artist Magazine

Embrace the rain!

The majority of landscape paintings that I see in both art society exhibitions and commercial galleries show some form of sunlight or ‘neutral’ weather. The rarest weather effect tends to be rain. In a country that has so much rain I find this strange, but my own output is no different, with a maximum content of around 10-per-cent rain paintings.

Perhaps because many people paint from photographs, their choice of reference material reflects the fact that they mostly choose to venture outside in non-rainy weather. The shame of it is that rainy days can produce beautiful paintings if we focus on the atmosphere of the scene. We learn a lot, too, because the colours, edges and tones in a rain scene will be very different from those in sunny subject matter and will require a different approach if we are to be successful in creating the right mood.

Painting outside in

You’re reading a preview, subscribe to read more.

More from The Artist Magazine

The Artist Magazine6 min read
Simplifying Trees
Grahame Booth is one of Ireland’s best known watercolour tutors. He has been teaching watercolour for over 25 years at workshops all over the world and his paintings have won many national and international awards. A member of the Watercolour Society
The Artist Magazine1 min read
Paint the Park
Blackpool Art Society is holding its second Paint in the Park plein-air event at the award-winning Stanley Park in Blackpool on Saturday July 6. Artists of all levels are welcome to take part At the end of the day the artworks will be displayed for t
The Artist Magazine8 min read
Expand Your Imagination
Kevin Scully trained at Wimbledon School of Art and spent many years as an illustrator in advertising and publishing. He has written several books on painting and runs workshop and painting holidays in the UK and abroad. In July this year he will be

Related