The Paris Review

A Way with Bea

SHANTEKA SIGERS

Bea walks into the classroom wearing the clothes she had on the day before. The Teacher understands that this is going to be a bad day. Bea’s hair is uncombed, face unwashed. She arrives precisely twelve seconds late. Not so late that the Teacher has to make a big deal about it. But not on time. Bea walks like a prisoner forcibly escorted, snatching herself along, step by step, then pouring her thin body into the seat. She has no books, no pencil or paper. She drapes herself over the desk and waits for the Teacher to continue or challenge.

The Teacher rides the L two stops from the school and into an entirely different country. Chicago pieces itself together that way. The platform at her station offers a clear view of the rear deck of her condo and she always looks. Sometimes she hopes to catch her husband there with a woman, a stranger or a friend, his hand invading the buttons of this woman’s shirt, taking a fistful of her breast. This has never happened. She is relieved and disappointed. Occasionally she catches him grilling in the brown sandals she hates. She feels like a spy trying to decipher her own life.

The Teacher grew up in the country and has seen things die the right way. You can’t die right in the city. There’s no place to take yourself off to be alone with your thoughts and the last wind you will ever feel. In the living room, her husband reads a magazine with his ancient cat on his lap. She has told him that it is far past time for that cat. He was disgusted by her

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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