Amateur Photographer

Essential guide to filters

Filters are a landscape photographer’s best friend. They can be used to balance tricky exposures, stretch shutter speeds, and manipulate the way light is recorded. In short, no serious landscape photographer should ever leave home without at least a handful of filters in their kitbag. Some will argue that in this digital age, their relevance is on the wane, but as advocates of getting it right in-camera as much as possible, we’re here to explain why they will never become obsolete.

There are numerous types of filters available, and all have their uses, no matter how niche, but there are three types that all discerning landscape specialists need to know about: graduated neutral density filters, neutral density filters, and polarising filters. All three will have a profound effect on your photography, but which you use and how you use it will depend on your chosen subject and intended end result.

Graduated neutral density filters

Often referred to as ND grads, they are the most commonly used filters and feature a light-reducing coating that is dark grey at the top and clear at the bottom. They are designed to balance exposures and to maintain detail in both the sky

You’re reading a preview, subscribe to read more.

More from Amateur Photographer

Amateur Photographer2 min read
3 Legged Thing Ultra Plates
● £52 ● 3leggedthing.com In essence, these Ultra Plates are very simple. They are long quick-release plates that can be mounted on any Arca-Swiss-type tripod head (including 3 Legged Thing’s) instead of a standard plate. That extra length and the add
Amateur Photographer3 min read
Join the Club
When was the club founded? Wensleydale Camera Club was founded at the inaugural meeting on 31 January 1957. In our 50th anniversary year, in 2007, we contacted many people from throughout Wensleydale and met regularly to look through over 14,000 sli
Amateur Photographer1 min read
Canon Finally Opens Up RF Mount
SIGMA is releasing six APS-C lenses for Canon EOS RF mount, thus widening the choice of glass for Canon’s previously ‘closed’ RF system. First to hit the market is the Sigma 18-50mm F2.8 DC DN, equivalent to 29-80mm on Canon APS-C bodies and availabl

Related Books & Audiobooks