Ceramics: Art and Perception

Inspirations and reflections on life and learning

The first was a five-day workshop I led at Marian Williams’ studio in Murwillumbah on the far north coast of NSW. The second was firing the ‘Racer’, the anagama kiln at the Mansfield property Morning View at Gulgong.

Preparing for the workshop led me to contemplate the major influence and continuing inspiration of three potters in my life: Makoto Yabe, Toshiko Takaezu, and Peter Rushforth.

Makoto re-taught me how to work

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception3 min read
Q&A: Coasting Cones
Q: After I turn off the kiln why are the positions of my pyrometric cones different when I unload the kiln? The pyrometric cones are designed to show heat work (energy input during firing, normally represented in terms of temperature and time) that h
Ceramics: Art and Perception9 min read
Wang Xianfeng: Innovating Jun Ware
Jun ware occupies an important place in the history of Chinese ceramics, named after the city of Yuzhou in Henan Province, where it was first made. Yuzhou was known as ‘Juntai’ during the Xia Dynasty (thought to be approximately 2070-1600 BC), and lo
Ceramics: Art and Perception13 min read
The Non-dualistic Beauty of Hun Chung Lee
It is widely known that Sōetsu Yanagi tried to establish a uniquely eastern aesthetic, different from western modern aesthetics, through Buddhist thinking. His craft theory, called ‘Mingei Theory’, was established through the concept of ‘nondualistic

Related