Victoria Findlay Wolfe's Playing with Purpose: A Quilt Retrospective
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About this ebook
Revisit thirty-five years of Victoria Findlay Wolfe’s career with photos of over 130 quilts and compelling essays detailing her creative journey.
Take a deep look inside the evolution of one of today’s most important modern quilt artists. Always fascinated by color, pattern, and design, Victoria Findlay Wolfe found her life’s true joy in quiltmaking. From a young age, a wandering spirit compelled her to become “an artist.” Today, her diverse and exciting body of work stirs quilters worldwide to dig deeper, take risks, and experiment with fabric. This beautifully photographed retrospective contains photos of more than one hundred of Wolfe’s inspiring quilts, as well as the stories behind them.
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Reviews for Victoria Findlay Wolfe's Playing with Purpose
2 ratings1 review
- Rating: 5 out of 5 stars5/5A visual treat, showing an accomplished artist's journey to midlife. Playing with Purpose really sums up VFW's ethos and approach and body of work.
Book preview
Victoria Findlay Wolfe's Playing with Purpose - Victoria Findlay Wolfe
Finding My Way
My earliest memory, in kindergarten, was being asked what I wanted to be when I grew up: An artist!
I would chirp. I was always fascinated by color, pattern, and design. Sleeping under double-knit polyester scrap quilts certainly set my color sense from a young age! A sign of the times!
Growing up on the farm, though, I knew I would not stay there; I always had a wandering spirit. I wanted to explore and see what else was out there—both as a physical journey and a creative one.
I enjoyed the basic skills I learned on the farm—sewing, gardening, fixing fences, making clothes—but I did not think that anything I learned on the farm would serve me in my artistic future. I was, however, a teenager, and that explains a lot.… I wanted my life to go beyond the parameters of the farm, there was more to see in life, and I wanted out of the country.
¹ First Quilt
Victoria Findlay Wolfe,
1983, 27˝ × 27˝,
hand quilted
² Sadie’s Quilt
Victoria Findlay Wolfe,
1989, 45˝ × 84˝
Photo by Victoria Findlay Wolfe
³ Amish Inspired
Victoria Findlay Wolfe,
1989, 81˝ × 78˝,
unfinished top
In college, I knew I would never waver from being an artist. I looked for anything I could do different from my peers. If they were designing on the computer, I was cutting paper. If they were gessoing canvases, I painted on cotton with acrylics. Instead of appreciating my innovative techniques, my teachers would pull me into the hallway and say that stitching fabrics together was just a craft, not art. To me, that is a tireless 500-year-old controversy that does not need to exist. Of course quilts are art!
Tree on Summit / Victoria Findlay Wolfe, hand quilted by Donna Elfering, 1992, 42½˝ × 42½˝
When I was in college, I made a painting on canvas titled A Tree on Summit Ave.
Then, I painted a similar tree with acrylics on cotton that became this quilt. I was very inspired by the effects I achieved. But I was told that this was craft and it didn’t belong in art school. Our path is always varied. I wonder where my path would have taken me sooner had I been encouraged to explore textile design back then. In a way, it made me work even harder to go after my goals.
I left Minnesota in 1994 to move to New York City. I worked at a picture-framing store for three years and another year in antique frame sales, framing amazing works of art like Cézanne, Picasso, and Braque.
I had a painting studio in SoHo until there was a devastating flood in the building and I lost most of my work. This certainly put a hold on my world of creating. My brain stopped thinking about painting, but I never stopped seeing. I picked up my camera and did a lot of work digitally and immersed myself in looking at images, text, and layering within the photography format.
During this time, I had also started my family. We awaited for the news to travel to China to meet our baby girl. While I waited, I was gardening and canning my delicious produce. I got obsessed with learning to make everything fresh and can it all myself. I’ve always been fascinated by the way things are made.
I also started making baby quilts and the furnishings I’d need for the nursery. So, although the painting was erased from my lifestyle, I was finding joys in other aspects of creating … from gardening and cooking, to baby quilts and clothing, to photography and crochet. It’s hard for me not to try something new or find creativity in anything I am doing.
Quite unexpectedly, I started a small business making custom children’s clothing, and I did that for about a year before solidly working only in quiltmaking.
Figure I / Victoria Findlay Wolfe, hand quilted by Donna Elfering, 1991, 39˝ × 46˝
The key goal in my journey has always been following the joy. That is the purpose. If it’s not the one thing that grabs my attention most, I would move on to the next creative project. But