Ceramics: Art and Perception

Clay 2018 Gulgong

It sounds almost intolerably corny, and indeed I cringe even as my fingers press the keys, but Clay Gulgong 2016 was, truly, a week that changed my life.

Recently escaped from the hustle of a City lifestyle and its multitudinous soul-depleting-wallet-draining strings, I had no idea what to expect or indeed what Gulgong even was (other than a very small town with a pub on every delightful corner). So new to the world of ceramics as to be almost wide-eyed, I found it a formative period of thought expansion and trajectory solidification; this was my plot I thought, these (mad, wild) people and this (amazing, challenging) material.

In 2018, Gulgong’s twisting main street with its high sandstone curb stones buttressing elegant awnings over colourfully painted

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception5 min read
Fresh New Talent at the British Ceramics Biennial
Nurturing, inspiring and showcasing new talent are at the heart of what we do at the British Ceramics Biennial – and have been since we started our work back in 2009. The most prominent way that we do this is through our platform for emerging ceramic
Ceramics: Art and Perception4 min read
Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists
This is an indispensable book. For anyone interested in contemporary Japanese ceramics it offers an indepth look at the setting and the players through interviews with artists and dealers. Traditions, training, new ideas and opportunities are disclos
Ceramics: Art and Perception7 min read
Brick by Brick: A Brief History of Clay Bricks from Kansas, USA
Let’s face it – bricks are boring. They are rectangular, made of clay, and simply used as literal ‘building’ blocks for utilitarian purposes. I thought this way for decades. I have used firebricks to build gas, sagger, wood, and raku kilns. Aside fro

Related Books & Audiobooks