Ceramics: Art and Perception

Brick by Brick: A Brief History of Clay Bricks from Kansas, USA

Let’s face it – bricks are boring. They are rectangular, made of clay, and simply used as literal ‘building’ blocks for utilitarian purposes. I thought this way for decades. I have used firebricks to build gas, sagger, wood, and raku kilns. Aside from the sprung arch I used in most of my constructions, the basic body of the kilns was usually a clay cube. I changed my mind when I taught a workshop in Puerto Vallarta, Mexico, in 2004.

We visited a brick yard to buy clay for my course. The brick-making process was actually quite intriguing. First, there was no fixed studio for production. The brick-makers went where the clay was. They would scope out a good location with water, natural clay deposits, and room to make and fire the bricks. The clay was then dug, mixed with horse manure and water, and then formed into bricks by hand, using a wooden mold. The bricks dried in the sun and when they were ready, the unfired bricks were stacked as greenware to create their own wood-fired kiln. After

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception5 min read
Fresh New Talent at the British Ceramics Biennial
Nurturing, inspiring and showcasing new talent are at the heart of what we do at the British Ceramics Biennial – and have been since we started our work back in 2009. The most prominent way that we do this is through our platform for emerging ceramic
Ceramics: Art and Perception1 min read
From Earth To Evocation
Subscribe at www.mansfieldceramics.com ■
Ceramics: Art and Perception3 min read
Q&A: Coasting Cones
Q: After I turn off the kiln why are the positions of my pyrometric cones different when I unload the kiln? The pyrometric cones are designed to show heat work (energy input during firing, normally represented in terms of temperature and time) that h

Related Books & Audiobooks