Waad Al-Kateab
t the end of my interview with filmmaker and activist Waad Al-Kateab, she asks me not to refer to the conflict in Syria as a civil war, as that would infer that it’s two sides fighting equally. Her must-see feature is a portrait of life at the blood-lashed front lines of a military bombardment in the city of Aleppo, where she, her husband Hamza and their baby daughter, Sama, once resided. One day in
