Into the Clockwork Sunset
ONE OF THE MOST UNCOMPROMISING and versatile cinematographers working today, Bruno Delbonnel resumed his collaboration with the Coen Brothers with their six-part Western anthology The Ballad of Buster Scruggs, shot over 10 weeks.
What was your underlying macro-concept for the film?
Our first question was whether we should have an aesthetic difference deals with themes that constantly return in the Coen Brothers’ movies, like death and absurdity. So there was a sort of coherence in terms of subject matter. From that point on, we forgot all the cinematic references we could have: , , or .
