Artists & Illustrators

MASKING AND LIFTING

I enjoy working with masking fluid when I make my watercolours – in fact, I rarely make a painting without using it somewhere. My use of it often becomes a topic of conversation during workshops or art breaks and it certainly seems to elicit strong views when discussed by fellow artists. It’s definitely the Marmite of the watercolour world – they either love it or loathe it. This feeling often stems from an unsuccessful experience when first introduced to it.

Some artists cite that the reason

You’re reading a preview, subscribe to read more.

More from Artists & Illustrators

Artists & Illustrators5 min read
Colour-coded The Secrets And Spiritualism Of The Blue Rider
“WE WERE ONLY A GROUP OF FRIENDS who shared a common passion for painting as a form of self-expression. Each of us was interested in the work of the other, in the health and happiness of the others.” It’s a warming statement from Gabriele Münter in 1
Artists & Illustrators4 min read
Natural Magic
MORE THAN ITS APPEARANCE, it is the sounds which first mark the Knepp Estate as different to the neighbouring countryside. As the morning sun casts a shadow play of meadow grasses upon the diffuse green canopy of my tent, I awake to an orchestral cre
Artists & Illustrators4 min read
Try Collage
COLLAGE IS A MEDIUM you might not have tried before. It’s a great way of exploring colour and shape, whilst it gives you a lot of freedom to move things around and try different compositions. Back when I was still studying, I used a lot of collage in

Related Books & Audiobooks