The Atlantic

How Pop’s Biggest Weirdo Swept the Grammys

Billie Eilish’s whispery goth pop is genuinely odd—but she’s benefiting from old biases concerning race and genre.
Source: Patrick McMullan / Getty

Billie Eilish scarfs down spiders, scowls at cameras, and sings about murdering all her friends. She wears sneakers scrawled with the words FUCK U, and she makes music with dental-drill noises. She’s a creep; she’s a weirdo. What the hell is she doing here, on the Grammys stage, as the consensus pick of the music biz’s masses?

The 18-year-old Eilish took home five of the six trophies she was nominated for last night, including all of the “big four” awards: Record of the Year, Song of the Year, Album of the Year, and Best New Artist. (Her 22-year-old brother, Finneas O’Connell, who produces and co-writes her songs, shared in the big in a year when Prince’s and the Clash’s weren’t even nominated. Cross’s milestone is now often referenced to demonstrate how uncool the Grammys are, and Eilish would seem a much hipper pick. (Her songs are not about , to start.) But for all her supposed edge, there’s safety in her sweep.

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