'Everybody Knows' is a missing-person whodunit that’s not quite worth solving
Feb 08, 2019
2 minutes
The Iranian director Asghar Farhadi specializes in films about families in turmoil. His two best movies, “A Separation” and “The Salesman,” both of which won Oscars for best foreign-language film, were powerfully complex studies in ancestral discord. His latest film, “Everybody Knows,” is a lesser work, though no less roiled by generational strife.
The movie opens as Laura (Penélope
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