'Roma' review: A master filmmaker remembers his Mexico City childhood
Alfonso Cuaron's new film, "Roma," gives you so much to see in each new vignette, in every individual composition, in fact, that a second viewing becomes a pleasurable necessity rather than a filmgoing luxury.
Great, you think. This time of year, I barely have time to see a movie once let alone twice, even with all the infernal quality currently on screens ("The Favourite," "Can You Ever Forgive Me?", "At Eternity's Gate," "Burning," etc.) making demands of my bandwidth. I'll just plop this one in my Netflix queue.
