The Atlantic

What Is<em> Escape at Dannemora</em>, Really?

The Showtime series about a real-life prison break is just the latest work in the Peak TV era to suffer from existential confusion.
Source: Showtime

The final episode of Showtime’s , which runs an astonishing one hour and 38 minutes long, is actually a pretty dazzling movie. Ben Stiller, its director (yes, Ben Stiller), crafts a tight, poetically beautiful narrative of escape in the misty blue mountains of the North Country—the kind of tense, thoughtful, slightly surreal drama that contrasts America’s most stunning landscapes with its bleak scenes of rural despair. It’s grim (particularly after Benicio del Toro’s character, Richard Matt, disregards advice not to drink from a pool of standing water). It’s darkly funny (“I knew you were having an affair on me,” one character bleats, “when you started ordering off the diet menu at King’s Wok”). It ends with a scene that’s cryptically ambiguous,

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic4 min read
Hayao Miyazaki’s Anti-war Fantasia
Once, in a windowless conference room, I got into an argument with a minor Japanese-government official about Hayao Miyazaki. This was in 2017, three years after the director had announced his latest retirement from filmmaking. His final project was
The Atlantic5 min read
The Strangest Job in the World
This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here. The role of first lady couldn’t be stranger. You attain the position almost by accident, simply by virtue of being married to the president
The Atlantic2 min read
Preface
Illustrations by Miki Lowe For much of his career, the poet W. H. Auden was known for writing fiercely political work. He critiqued capitalism, warned of fascism, and documented hunger, protest, war. He was deeply influenced by Marxism. And he was hu

Related Books & Audiobooks