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Mourning Becomes Electrifying In 'Three Billboards Outside Ebbing, Missouri'

In this, Irish filmmaker Martin McDonagh's third and best feature, the director has "finally begun to grapple with the violence of American life in a way that doesn't feel like the work of a tourist."
Swing and a Diss: Mildred (Frances McDormand) and Willoughby (Woody Harrelson) discuss Mildred's Burma-Shave-inspired quest for justice in <em>Three Billboards Outside Ebbing, Missouri</em>.

It was the Year of Our Lord Nineteen Hundred and Ninety-Seven when Frances McDormand collected her Academy Award for playing Marge Gunderson, the lovable pregnant cop heroine of At that same time, Martin McDonagh was fast establishing himself as the of the Irish and English stage, a brash and brilliant playwright who was more Noel Gallagher than Noel Coward — and more like a long-lost Coen Brother than either. Four of McDonagh caustic tragicomedies, all setwon an Oscar right out of the gate.

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