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50 Years After 'Loving,' Hollywood Still Struggles With Interracial Romance

Hollywood's long history of not putting interracial romance on-screen goes all the way back to the Hays Code, which prohibited the depiction of "sex relationships between the white and black races."
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Fifty years ago, on June 12, 1967, the Supreme Court's decision in Loving v. Virginia legalized interracial marriage. Just two weeks earlier, shooting had been completed on a movie about that very subject — Stanley Kramer's soon-to-be-classic, Oscar-winning, box-office smash Guess Who's Coming To Dinner, starring Spencer Tracy, Katharine Houghton and Sidney Poitier.

Profits are a powerful motivator for Hollywood studios. So it might seem obvious that a blockbusting indicator of audience acceptance for interracial romance on-screen would lead to studios greenlighting more of them. But prejudices in Hollywood were as long-standing as they were elsewhere in society. Those prejudices did not disappear overnight, and the film industry did not embrace mixed-race couples on-screen.

There had been interracial screen romances, even in the silent era, but they were almost always pictured as either comically foolish or flat-out doomed. D.W. Griffith ended his silent tragedy with the deaths of both his title characters — a Chinese immigrant and a London prizefighter's daughter.

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