About this series
These are the first three misdeeds in Isadora's villainous career:
Birth of a Necromancer
After finishing her college education, Isadora Goode, daughter of a hero and a damsel, finds it hard to determine what kind of villain she should be. Her mentor pushes her towards necromancy and she dives into the possibilities. Barely established, she suddenly finds herself at odds with her brother and in need of a plan to show him who's boss - hint: it's not him.
Dracula's Tomb
The lure of owning her own books on the topic of necromancy brings Isadora Goode from her comfy Victorian with its own lab to the wilderness of Romania. Assisting a vampire with the search of Dracula's tomb for a few important volumes, she finds herself in a bind when things go wrong and Dracula comes back to life - needless to say he's not amused about people pilfering his library.
Damsel Disaster
When Lisabet Lewis, the officially assigned damsel of Isadora Goode's brother comes to her Victorian and asks for an interview, Isadora agrees, not realizing what trouble will follow behind. When Lisabet goes missing right afterwards, Isadora's brother and father immediately accuse her of kidnapping the professional damsel. With her brother more interested in bothering her than in searching for Lisabet, Isadora takes things into her own hands - after all, she needs silence for her experiments.
Titles in the series (2)
- The Necromancer's Notebook: Isadora Goode, #2
2
No Honour Among Villains There really is no honour among villains, as Isadora learns when the prestigious Villain's Ball is robbed. When the same happens to the slightly less prestigious Hero Anniversary, too, she's even blamed for it. To clear her own name – and that of Lisabet, too, she has to investigate the robberies, even if it might set her up as an enforcer. The Medusa Serum One person turning into a statue might be a freak accident, yet when it happens to two – from different sides of the whole hero-villain game, no less –, it's much less of an accident. Isadora has to find the modern Medusa before she can turn more people to stone – perhaps even Isadora's brother and nemesis. The Lich's Lair One thing Isadora usually doesn't have to think about is other necromancers, as she's the only one working. Yet, a trip to the Black Forest proves to be a bad idea when she stumbles upon a lich's lair and inspires it to walk out into the world and do what it has done before: enslave humans. Now she has to find a still-beating heart and a way to stop it.
- The Lives and Times of Isadora Goode: Isadora Goode
These are the first three misdeeds in Isadora's villainous career: Birth of a Necromancer After finishing her college education, Isadora Goode, daughter of a hero and a damsel, finds it hard to determine what kind of villain she should be. Her mentor pushes her towards necromancy and she dives into the possibilities. Barely established, she suddenly finds herself at odds with her brother and in need of a plan to show him who's boss - hint: it's not him. Dracula's Tomb The lure of owning her own books on the topic of necromancy brings Isadora Goode from her comfy Victorian with its own lab to the wilderness of Romania. Assisting a vampire with the search of Dracula's tomb for a few important volumes, she finds herself in a bind when things go wrong and Dracula comes back to life - needless to say he's not amused about people pilfering his library. Damsel Disaster When Lisabet Lewis, the officially assigned damsel of Isadora Goode's brother comes to her Victorian and asks for an interview, Isadora agrees, not realizing what trouble will follow behind. When Lisabet goes missing right afterwards, Isadora's brother and father immediately accuse her of kidnapping the professional damsel. With her brother more interested in bothering her than in searching for Lisabet, Isadora takes things into her own hands - after all, she needs silence for her experiments.
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