Signal Series

Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. We have no doubt that Signal will come to serve as a unique and irreplaceable resource for activist artists and academic researchers, as well as an active forum for critique of the role of art in revolution. Highlights of the third volume ofSignal include: Sonic Internationalism: An Interview with Paredon Records Founder Barbara Dane Game of Destruction: Deltor Stencils the Enemies of Socialism by Stephen Goddard Organized Artists/Reproductive Resistance: Reflecting on the Medu Arts Ensemble Quebec Spring: Striking Culture by David Widgington Memories of Revolution: Yugoslav Partisan Memorials by Robert Burghardt and Gal Kirn In the US there is a tendency to focus only on the artworks produced within our shores or from English speaking producers. Signal reaches beyond those bounds, bringing material produced the world over, translated from dozens of languages and collected from both the present and decades past. Though it is a full-color printed publication, Signal is not limited to the graphic arts. Within its pages you will find political posters and fine arts, comics and murals, street art, site-specific works, zines, art collectives, documentation of performance and articles on the often overlooked but essential role all of these have played in struggles around the world.

Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. We have no doubt that Signal will come to serve as a unique and irreplaceable resource for activist artists and academic researchers, as well as an active forum for critique of the role of art in revolution. In the US there is a tendency to focus only on the artworks produced within our shores or from English speaking producers. Signal reaches beyond those bounds, bringing material produced the world over, translated from dozens of languages and collected from both the present and decades past. Though it is a full-color printed publication, Signal is not limited to the graphic arts. Within its pages you will find political posters and fine arts, comics and murals, street art, site-specific works, zines, art collectives, documentation of performance and articles on the often overlooked but essential role all of these have played in struggles around the world. Highlights of the seventh volume of Signal include: Philadelphia Printworks: Maryam Pugh discusses the legacy and future of Black political art with John Morrison The Vinyl Records of Victor Jara: The world-wide impact of the nueva canción bard documented by Josh MacPhee Spectacular Commodities: Mehdi el Hajoui explores the objects of the Situationist International The Left Independistas: A fifty year retrospective of the graphics of the Catalan independence movement by Jordi Padró Hope in the Midst of Apathy: Vera Williams and the cover art of Liberation magazine by Alec Dunn Dario and Maxi: Natalia Revale documents the transformation of a Buenos Aires metro station We Will Break Open the Doors That Obscure the Sun: Erik Buelinckx uncovers the graphic work of the anarchist Belgian Expressionist Albert Daenens Giving Voice to the Voiceless: Bill Berkowitz interviews California printer and poster maker Malaquías Montoya

Signal:08 collects and connects the culture and politics of international Black Power publishing, the 1960s anarchist and antimilitarist illustrations of Vera Williams and Liberation magazine, memorializing those murdered by anti-Sikh violence in India, the agitprop of the Popular Front for the Liberation of Palestine, and the aesthetics and politics of a reenactment of the largest rebellion of enslaved people in US history. Crossing continents and communities, print and performance, Signal weaves a story of how culture is central to social transformation, both yesterday and today. Highlights of the eighth volume of Signal include: Writing for the Revolution: Publishing and Designing Black Power Books by Andrew Fearnley Hope in the Midst of Apathy: Liberation Magazine and the Covers of Vera Williams by Alec Dunn Most of My Heroes: Stamps in Memory of Anti-Sikh Violence by Vijay S. Jodha & S. Ravi Our Code of Morals is Our Revolution: Agit Prop Travel Documents of the Popular Front for the Liberation of Palestine Slave Rebellion Reenactment: An Interview with Dread Scott by Josh MacPhee

Signal weaves a story of how culture is central to social transformation, both yesterday and today. This ongoing series is dedicated to documenting and sharing political graphics, creative projects, and cultural production of international resistance and liberation struggles. Highlights of the ninth volume of Signal include: Hell No, We Won’t Glow: Selections from the Anti-Nuclear Power Discography by Dirk Bannink and Sean P. Kilcoyne They Have Calluses on Their Tongues. We Have Calluses on Our Hands. Davide Tidoni interviews Italian artist and self-appointed worker communicator Pietro Perotti Click to Edit: Print on demand and the aesthetics and means for production of the far right by Alex Lucas Creative Freedom behind the Iron Curtain Aaron Terry explores the film posters of the