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    Transition 111: New Narratives of Haiti
    Transition 116: Nelson Rolihlahla Mandela 1918–2013
    Transition 112: The Django Issue
    Ebook series4 titles

    Transition Series

    By IU Press Journals

    ()

    About this series

    Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 117, Transition presents new short fiction from writers with Uganda, Nigeria, Senegal, Ghana, Liberia—and the diaspora—in their veins. Also in this issue are: selections from Transition's online forum, "I Can't Breathe," a venue for discussing the recent murders by police of unarmed black Americans; selections of poetry; and an interview with the architect and curator of the opening exhibit at Harvard University's new Cooper Gallery of African and African American Art.

    LanguageEnglish
    PublisherOpen Road Integrated Media
    Release dateFeb 20, 2015
    Transition 111: New Narratives of Haiti
    Transition 116: Nelson Rolihlahla Mandela 1918–2013
    Transition 112: The Django Issue

    Titles in the series (4)

    • Transition 112: The Django Issue
      Transition 112: The Django Issue

      Transition 112: The Django Issue

      IU Press Journals
      0 ratings
      0 ratings

      Issue #112 looks at violence and its relation to the history of slavery, featuring pieces on the films Django Unchained and Lincoln. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 112, the editors of Transition look at violence, particularly as it relates to the history of slavery, which raises the question of representation. Textbooks and television both grapple with the same fundamental questions: to whom do the stories of slaves belong? How should these stories be told? In this issue, Daniel Itzkovitz talks with Tony Kushner about the controversy that surrounded the making of Lincoln, a serious and sober film about the passage of the 13th Amendment. Django Unchained covers the same time period but uses a wildly different lens. The film is terrifying and topsy-turvy, and has ignited controversy that became a white-hot conflagration. Henry Louis Gates, Jr. speaks with Quentin Tarantino about the making of his film, and a host of scholars and critics, including Walter Johnson, Glenda Carpio, and Terri Francis, set the issue ablaze with provocative and searing commentary that speaks to the controversial film and its potent afterlife.

      Issue #112 looks at violence and its relation to the history of slavery, featuring pieces on the films Django Unchained and Lincoln. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 112, the editors of Transition look at violence, particularly as it relates to the history of slavery, which raises the question of representation. Textbooks and television both grapple with the same fundamental questions: to whom do the stories of slaves belong? How should these stories be told? In this issue, Daniel Itzkovitz talks with Tony Kushner about the controversy that surrounded the making of Lincoln, a serious and sober film about the passage of the 13th Amendment. Django Unchained covers the same time period but uses a wildly different lens. The film is terrifying and topsy-turvy, and has ignited controversy that became a white-hot conflagration. Henry Louis Gates, Jr. speaks with Quentin Tarantino about the making of his film, and a host of scholars and critics, including Walter Johnson, Glenda Carpio, and Terri Francis, set the issue ablaze with provocative and searing commentary that speaks to the controversial film and its potent afterlife.

    • Transition 111: New Narratives of Haiti
      Transition 111: New Narratives of Haiti

      Transition 111: New Narratives of Haiti

      IU Press Journals
      0 ratings
      0 ratings

      The 111th issue of the magazine of Africa and the Diaspora, featuring fiction, poetry, art, and essays focused on the black world. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 111, Transition focuses on “New Narratives of Haiti.” Guest editors Laurent Dubois and Kaiama L. Glover have invited contributors to think about the world in ways that place Haiti at its center. Thought pieces by Madison Smartt Bell, Jonathan Katz, Gina Athena Ulysse and others, as well as translations of Franketienne, Lyonel Trouillot, and Michel-Rolph Trouillot, dispel trenchant cliches that have long plagued representations of Haiti in literature and scholarship. This issue also includes Jamaica Kincaid’s poignant memories of a brother lost to AIDS, and a scholar’s chance discovery of cultural (and genealogical?) links between Cuba and Sierra Leone. Exceptional poetry, fiction, and review essays also take us beyond Haiti to San Francisco, Rio de Janeiro, Nairobi, and Renaissance Europe.

      The 111th issue of the magazine of Africa and the Diaspora, featuring fiction, poetry, art, and essays focused on the black world. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 111, Transition focuses on “New Narratives of Haiti.” Guest editors Laurent Dubois and Kaiama L. Glover have invited contributors to think about the world in ways that place Haiti at its center. Thought pieces by Madison Smartt Bell, Jonathan Katz, Gina Athena Ulysse and others, as well as translations of Franketienne, Lyonel Trouillot, and Michel-Rolph Trouillot, dispel trenchant cliches that have long plagued representations of Haiti in literature and scholarship. This issue also includes Jamaica Kincaid’s poignant memories of a brother lost to AIDS, and a scholar’s chance discovery of cultural (and genealogical?) links between Cuba and Sierra Leone. Exceptional poetry, fiction, and review essays also take us beyond Haiti to San Francisco, Rio de Janeiro, Nairobi, and Renaissance Europe.

    • Transition 116: Nelson Rolihlahla Mandela 1918–2013
      Transition 116: Nelson Rolihlahla Mandela 1918–2013

      Transition 116: Nelson Rolihlahla Mandela 1918–2013

      IU Press Journals
      0 ratings
      0 ratings

      The 116th issue features essays, as well as some fiction and poetry, dedicated to the remembrance of former South African president Nelson Mandela. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. Transition is edited by Alejandro de la Fuente. December 2014 marked a year since the passing of Nelson Mandela—a man who was as much myth as flesh and blood. Transition pays tribute to Mandela’s worldly attainments and to his otherworldly sainthood. Featuring remembrances from Wole Soyinka, Xolela Mangcu, Pierre de Vos, and Adam Habib, this issue assembles Mandela’s staunchest allies—for whom he approached saintliness—as well as his most entrenched critics. Other contributors consider the iconicity of Mandela—including his representations in films; the importance of boxing to his political career; his time studying with the revolutionary army in Algeria; his stance on children’s rights; and even his ill-fated trip to Miami. Whoever you think Mandela was—or wasn’t—this issue is the new required reading.

      The 116th issue features essays, as well as some fiction and poetry, dedicated to the remembrance of former South African president Nelson Mandela. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. Transition is edited by Alejandro de la Fuente. December 2014 marked a year since the passing of Nelson Mandela—a man who was as much myth as flesh and blood. Transition pays tribute to Mandela’s worldly attainments and to his otherworldly sainthood. Featuring remembrances from Wole Soyinka, Xolela Mangcu, Pierre de Vos, and Adam Habib, this issue assembles Mandela’s staunchest allies—for whom he approached saintliness—as well as his most entrenched critics. Other contributors consider the iconicity of Mandela—including his representations in films; the importance of boxing to his political career; his time studying with the revolutionary army in Algeria; his stance on children’s rights; and even his ill-fated trip to Miami. Whoever you think Mandela was—or wasn’t—this issue is the new required reading.

    • Transition 117: New African Fiction
      Transition 117: New African Fiction

      Transition 117: New African Fiction

      IU Press Journals
      0 ratings
      0 ratings

      Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 117, Transition presents new short fiction from writers with Uganda, Nigeria, Senegal, Ghana, Liberia—and the diaspora—in their veins. Also in this issue are: selections from Transition's online forum, "I Can't Breathe," a venue for discussing the recent murders by police of unarmed black Americans; selections of poetry; and an interview with the architect and curator of the opening exhibit at Harvard University's new Cooper Gallery of African and African American Art.

      Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 117, Transition presents new short fiction from writers with Uganda, Nigeria, Senegal, Ghana, Liberia—and the diaspora—in their veins. Also in this issue are: selections from Transition's online forum, "I Can't Breathe," a venue for discussing the recent murders by police of unarmed black Americans; selections of poetry; and an interview with the architect and curator of the opening exhibit at Harvard University's new Cooper Gallery of African and African American Art.

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