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William Basinski: The Music You Should Hear Series, #2
Yma Sumac: The Music You Should Hear Series, #3
Carl Craig: The Music You Should Hear Series, #1
Ebook series3 titles

The Music You Should Hear Series

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Yma Sumac [exotica vocalist]: Musician Snapshots 

The next Musician Snapshots book in the 'Music You Should Hear Series' is a profile of singer Yma Sumac. With a four-octave range, Peruvian vocalist Yma (pronounced EE-ma) Sumac shocked and captivated 1950s America and became a household name around the world. Her first few albums included loose interpretations of South American melodies with Afro-Cuban rhythms and Western-style instrumentation, making her albums avant garde yet accessible, and cementing her status as the queen of the new musical genre of “exotica.” Not only did her extremely wide octave range make audiences stop in their tracks (for reference, most people have a singing range of around 2-3 octaves), but her fearless vocal experimentation was a stark contrast to the sweet crooners like Nat King Cole and Bing Crosby who were the top sellers in 1950, the year her first album was released. She was soon featured on Broadway, cast in movies alongside stars such as Charlton Heston, and performing sold-out shows from Las Vegas to New York.

LanguageEnglish
PublisherSBE Media
Release dateSep 11, 2015
William Basinski: The Music You Should Hear Series, #2
Yma Sumac: The Music You Should Hear Series, #3
Carl Craig: The Music You Should Hear Series, #1

Titles in the series (3)

  • Carl Craig: The Music You Should Hear Series, #1

    1

    Carl Craig: The Music You Should Hear Series, #1
    Carl Craig: The Music You Should Hear Series, #1

    Carl Craig [Detroit techno] Musician Snapshots: The Music You Should Hear Series Here’s a “musician snapshot” look at producer/musician/DJ/labelhead Carl Craig and his important recordings. One of the most successful of Detroit’s second wave of producers, Carl Craig’s career spans ‘60s psychedelia; futuristic funk of the ‘70s; and every style of electronic dance music imaginable - Techno, electro, acid, hip-hop, breakbeats, drum ‘n bass, and academic synthesis. His music is an antidote to the idea that electronic musicians are all addicted to the next shiny thing, with no sense of history or appreciation of the past. Craig’s music smashes all manner of imaginary racial, gender and cultural barriers, along the way, as we are all one, under Techno.

  • William Basinski: The Music You Should Hear Series, #2

    2

    William Basinski: The Music You Should Hear Series, #2
    William Basinski: The Music You Should Hear Series, #2

    William Basinski [drone/ambient musician]: Musician Snapshots The next title in the “Music You Should Hear Series” is a profile of William Basinski. His work as a musician, composer, remixer, and producer is a marriage of opposites: classical/populist; ephemeral/timeless; Eastern/Western (both in terms of the United States, and the wider world); inspired/crafted, ambient/overwhelming. Basinski's music - largely focused on aged recordings made with archaic technology - is an extended meditation on longing and decay, bursting forth into an infinite state of eternal grace. (The Music You Should Hear Series)

  • Yma Sumac: The Music You Should Hear Series, #3

    3

    Yma Sumac: The Music You Should Hear Series, #3
    Yma Sumac: The Music You Should Hear Series, #3

    Yma Sumac [exotica vocalist]: Musician Snapshots  The next Musician Snapshots book in the 'Music You Should Hear Series' is a profile of singer Yma Sumac. With a four-octave range, Peruvian vocalist Yma (pronounced EE-ma) Sumac shocked and captivated 1950s America and became a household name around the world. Her first few albums included loose interpretations of South American melodies with Afro-Cuban rhythms and Western-style instrumentation, making her albums avant garde yet accessible, and cementing her status as the queen of the new musical genre of “exotica.” Not only did her extremely wide octave range make audiences stop in their tracks (for reference, most people have a singing range of around 2-3 octaves), but her fearless vocal experimentation was a stark contrast to the sweet crooners like Nat King Cole and Bing Crosby who were the top sellers in 1950, the year her first album was released. She was soon featured on Broadway, cast in movies alongside stars such as Charlton Heston, and performing sold-out shows from Las Vegas to New York.

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