Civil War Combat Artists and the Pictures They Drew Series
By Jim Stovall
()
About this series
What did the battle of Gettysburg look like?
Despite the vast number of photographs associated with the Civil War, we have no photos of the battles themselves. The state of photography at that time could not stop action as it does today.
But we DO have pictures.
They are the drawings of the battlefield artists -- the Specials, as they were called -- sent out by publications such as Harper's Weekly to make a visual record of the pivotal event in American history. The woodcuts that Harper's and other publications produced based on these drawings are famous and well-known.
But what of the drawings themselves -- those made during the battle or in the evening when the firing has ceased?
Unfortunately, while many of them still exist, relatively few have ever been published.
This series, Battlelines, seeks to correct that. We begin with a five-volume set of those drawings related to the battle of Gettysburg. This volume (number 5 in the set) presents the drawings of the aftermath of the battle -- drawings by Alf Waud and Edwin Forbes executed on July 4 and afterward as Lee's army limped back across the Potomac River.
Look for other volumes in this set.
Titles in the series (5)
- Battlelines: Road to Gettysburg: Civil War Combat Artists and the Pictures They Drew, #1
1
What did a battle during the Civil War look like? We have no photographs of Civil War battles because photography had no advanced to where it could stop that kind of action. But we can get a good idea of what the battles were like from the courageous -- and sometimes reckless -- combat artists from contemporary publications who took to the field and attached themselves to the armies. Sadly, the work of these men has been largely ignored. Happily, many of their original drawings still exist. This series of the work of the Civil War combat artists will show you scenes, places and fighting men that you have never seen before -- largely because many of the works in these volumes have remained unpublished even after more than 150 years. In this volume, you will meet Alfred Waud and Edwin Forbes, the two artists who were with the Union's Army of the Potomac during those fateful days leading up to the battle of Gettysburg, one of the largest and most important engagements of the war.
- Battlelines: Gettysburg, Day 1: Civil War Combat Artists and the Pictures They Drew, #2
2
What did the battle of Gettysburg look like? Despite the vast number of photographs associated with the Civil War, we have no photos of the battles themselves. The state of photography at that time could not stop action as it does today. But we DO have pictures. They are the drawings of the battlefield artists -- the Specials, as they were called -- sent out by publications such as Harper's Weekly to make a visual record of the pivotal event in American history. The woodcuts that Harper's and other publications produced based on these drawings are famous and well-known. But what of the drawings themselves -- those made during the battle or in the evening when the firing has ceased? Unfortunately, while many of them still exist, relatively few have ever been published. This series, Battlelines, seeks to correct that. We begin with a five-volume set of those drawings related to the battle of Gettysburg. This volume (number 2 in the set) presents the drawings of the first day of the battle, Wednesday, July 1, 1863. All of the drawings were executed by Alfred Waud, one of the most prolific of all of the war's combat artists. You will find out much more about Waud in this book. Watch for other volumes in this set.
- Battlelines: Gettysburg, Day 2: Civil War Combat Artists and the Pictures They Drew, #3
3
What did the battle of Gettysburg look like? Despite the vast number of photographs associated with the Civil War, we have no photos of the battles themselves. The state of photography at that time could not stop action as it does today. But we DO have pictures. They are the drawings of the battlefield artists -- the Specials, as they were called -- sent out by publications such as Harper's Weekly to make a visual record of the pivotal event in American history. The woodcuts that Harper's and other publications produced based on these drawings are famous and well-known. But what of the drawings themselves -- those made during the battle or in the evening when the firing has ceased? Unfortunately, while many of them still exist, relatively few have ever been published. This series, Battlelines, seeks to correct that. We begin with a five-volume set of those drawings related to the battle of Gettysburg. This volume (number 3 in the set) presents the drawings of the first day of the battle, Thursday, July 2, 1863. The drawings were executed by Alfred Waud and Edwin Forbes. Watch for other volumes in this set.
- Battlelines: Gettysburg, Day 3: Civil War Combat Artists and the Pictures They Drew, #4
4
What did the battle of Gettysburg look like? Despite the vast number of photographs associated with the Civil War, we have no photos of the battles themselves. The state of photography at that time could not stop action as it does today. But we DO have pictures. They are the drawings of the battlefield artists -- the Specials, as they were called -- sent out by publications such as Harper's Weekly to make a visual record of the pivotal event in American history. The woodcuts that Harper's and other publications produced based on these drawings are famous and well-known. But what of the drawings themselves -- those made during the battle or in the evening when the firing has ceased? Unfortunately, while many of them still exist, relatively few have ever been published. This series, Battlelines, seeks to correct that. We begin with a five-volume set of those drawings related to the battle of Gettysburg. This volume (number 4 in the set) presents the drawings of the third day of the battle, Wednesday, July 3, 1863. This final day of the battle included the famous Pickett's Charge by Confederate forces and their infamous retreat. Watch for other volumes in this set.
- Battlelines: Gettysburg, Aftermath: Civil War Combat Artists and the Pictures They Drew, #5
5
What did the battle of Gettysburg look like? Despite the vast number of photographs associated with the Civil War, we have no photos of the battles themselves. The state of photography at that time could not stop action as it does today. But we DO have pictures. They are the drawings of the battlefield artists -- the Specials, as they were called -- sent out by publications such as Harper's Weekly to make a visual record of the pivotal event in American history. The woodcuts that Harper's and other publications produced based on these drawings are famous and well-known. But what of the drawings themselves -- those made during the battle or in the evening when the firing has ceased? Unfortunately, while many of them still exist, relatively few have ever been published. This series, Battlelines, seeks to correct that. We begin with a five-volume set of those drawings related to the battle of Gettysburg. This volume (number 5 in the set) presents the drawings of the aftermath of the battle -- drawings by Alf Waud and Edwin Forbes executed on July 4 and afterward as Lee's army limped back across the Potomac River. Look for other volumes in this set.
Jim Stovall
James Glen Stovall (Jim) is a retired professor of journalism who lives in East Tennessee. During his teaching career, he taught at the University of Alabama (1978-2003), Emory and Henry College (2003-2006) and the University of Tennessee (2006-2016). He is now working on a second career writing young adult fiction and mysteries. Jim is the author of the a selling writing textbook, Writing for the Mass Media, as well as other journalism texts such as Journalism: Who, What, When, Where, Why and How and Web Journalism. Other books include: • Seeing Suffrage:The 1913 Washington Suffrage Parade, Its Pictures, and Its Effects on the American Political Landscape • Battlelines: Gettysburg: Civil War Sketch Artists and the First Draft of War In addition to writing, Jim likes to paint (watercolor), draw (pen and ink), play music (dulcimer and banjo), garden and piddle around in his woodworking shop. Jim grew up in Nashville, Tennessee, and that is his favorite setting for his novels.
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