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    Listening for the Secret: The Grateful Dead and the Politics of Improvisation
    Ebook series1 title

    Studies in the Grateful Dead Series

    By Ulf Olsson

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    About this series

    Listening for the Secret is a critical assessment of the Grateful Dead and the distinct culture that grew out of the group’s music, politics, and performance. With roots in popular music traditions, improvisation, and the avant-garde, the Grateful Dead provides a unique lens through which we can better understand the meaning and creation of the counterculture community. Marshaling the critical and aesthetic theories of Adorno, Benjamin, Foucault and others, Ulf Olsson places the music group within discourses of the political, specifically the band’s capacity to create a unique social environment. Analyzing the Grateful Dead’s music as well as the forms of subjectivity and practices that the band generated, Olsson examines the wider significance and impact of its politics of improvisation. Ultimately, Listening for the Secret is about how the Grateful Dead Phenomenon was possible in the first place, what its social and aesthetic conditions of possibility were, and its results.

    This is the first book in a new series, Studies in the Grateful Dead.
    LanguageEnglish
    PublisherUniversity of California Press
    Release dateMay 16, 2017
    Listening for the Secret: The Grateful Dead and the Politics of Improvisation

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      Listening for the Secret: The Grateful Dead and the Politics of Improvisation
      Listening for the Secret: The Grateful Dead and the Politics of Improvisation

      Listening for the Secret: The Grateful Dead and the Politics of Improvisation

      Ulf Olsson
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      Listening for the Secret is a critical assessment of the Grateful Dead and the distinct culture that grew out of the group’s music, politics, and performance. With roots in popular music traditions, improvisation, and the avant-garde, the Grateful Dead provides a unique lens through which we can better understand the meaning and creation of the counterculture community. Marshaling the critical and aesthetic theories of Adorno, Benjamin, Foucault and others, Ulf Olsson places the music group within discourses of the political, specifically the band’s capacity to create a unique social environment. Analyzing the Grateful Dead’s music as well as the forms of subjectivity and practices that the band generated, Olsson examines the wider significance and impact of its politics of improvisation. Ultimately, Listening for the Secret is about how the Grateful Dead Phenomenon was possible in the first place, what its social and aesthetic conditions of possibility were, and its results. This is the first book in a new series, Studies in the Grateful Dead.

      Listening for the Secret is a critical assessment of the Grateful Dead and the distinct culture that grew out of the group’s music, politics, and performance. With roots in popular music traditions, improvisation, and the avant-garde, the Grateful Dead provides a unique lens through which we can better understand the meaning and creation of the counterculture community. Marshaling the critical and aesthetic theories of Adorno, Benjamin, Foucault and others, Ulf Olsson places the music group within discourses of the political, specifically the band’s capacity to create a unique social environment. Analyzing the Grateful Dead’s music as well as the forms of subjectivity and practices that the band generated, Olsson examines the wider significance and impact of its politics of improvisation. Ultimately, Listening for the Secret is about how the Grateful Dead Phenomenon was possible in the first place, what its social and aesthetic conditions of possibility were, and its results. This is the first book in a new series, Studies in the Grateful Dead.

    Author

    Ulf Olsson

    Ulf Olsson is Senior Expert at Ericsson’s Business Unit Multimedia, with a main interest in application architecture. He entered the world of programming forty years ago, working with large scale software system architectures for the past thirty. Initially, these efforts were in the field of distributed high performance systems for shipborne command and control, but as it turned out the principles and experiences from that field were surprisingly applicable also to the design of mobile packet data systems. He has been with Ericsson since 1996, being involved with systems like GPRS, PDC, UMTS, cdma2000 and - of course - IMS. His professional focus has recently shifted to the next level of abstraction: how to support and automate the business processes of a communications service provider. He holds a M.Sc. in engineering physics from Stockholm’s Royal Institute of Technology, having also spent a scholarship year at Dartmouth College, New Hampshire. He is the co-holder of a number of patents in the mobile communications area, and is a frequent contributor to Ericsson Review.

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