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    Everybody Has a Story, VI: Erasmus 2016, Campus Haderslev
    Alle har en historie, V: Læreruddannelsen, Haderslev
    Ebook series2 titles

    Alle har en historie / Everybody has a story Series

    By Torbjørn Ydegaard (Ed.) and Torbjørn Ydegaard (red.)

    ()

    About this series

    The ways and methods of the Freedom Writers as a pedagogical concept are not tied to theories but to practice and to practical life in the classroom. It therefore has more to do with tools than with books – and the most significant tool in the Freedom Writer pedagogy is the narrative.

    But even in a very practical world tools can be reflected on – and have to be reflected on in order to give us an idea about what is going on. So it is with narratives, too.

    Narratives are about lived lives, and a way to take or regain power over one’s life. Therefore, the narrative is a pathway to empowerment. By writing, reading or listening to the narratives the story-teller will experience forms of recognition that foster in him or her a feeling of self-confidence, self-esteem and self-appreciation – feeling that many have not been granted until now.

    This book is an account of a Freedom Writer-course, where practical writing- and art-exercises are ‘warming up’ the students – making them confident with the situation, each other and the published media – in order to write their own narrative.
    LanguageEnglish
    PublisherBooks on Demand
    Release dateJun 28, 2016
    Everybody Has a Story, VI: Erasmus 2016, Campus Haderslev
    Alle har en historie, V: Læreruddannelsen, Haderslev

    Titles in the series (2)

    • 5

      Alle har en historie, V: Læreruddannelsen, Haderslev
      Alle har en historie, V: Læreruddannelsen, Haderslev

      Alle har en historie, V: Læreruddannelsen, Haderslev

      Torbjørn Ydegaard (red.)
      0 ratings
      0 ratings

      I Danmark har børn fra eliten fem gange større chance for at få en mellemlang- eller lang videregående uddannelse sammenlignet med børn fra underklassen. På den måde vrides Danmark stadigt skævere, socialt set. Skal sammenhængskraften i det danske samfund bevares, og skal vi fortsat have et velfærdssamfund, er det næppe hensigtsmæssigt at øge den sociale ulighed, sådan som det sker i disse år. Og når det gælder valg af uddannelse og chance for at gennemføre en uddannelse uanset dens længde, har både skolen og uddannelsesinstitutionerne en opgave. Den opgave fordrer nogle aktive tilvalg fra skolens og institutionernes side i form af pædagogisk og didaktisk udvikling af indhold og metoder og udvikling af tilgange til elever og skolekultur. Det er på baggrund at Freedom Writer-pædagogikkens narrative metode byder sig til og kan noget. Tankegangen kan illustreres som følger: 1) Vi lever i nutiden. 2) Vi er historieskabte, dvs. vi har rod i fortiden. 3) Vi er historieskabende, dvs. bestemmende for fremtiden. Målet er at synliggøre dette. Narrativet er vejen til denne synliggørelse – helt konkret i form af biografiske fortællinger. Denne bog illustrerer nogle af de metoder, der kan tage si anvendelse for at fremme den individuelle fortælling – der kan medvirke til at gøre skolens tilbud nærværende, relevant og motiverende selv for den skolefremmede elev.

      I Danmark har børn fra eliten fem gange større chance for at få en mellemlang- eller lang videregående uddannelse sammenlignet med børn fra underklassen. På den måde vrides Danmark stadigt skævere, socialt set. Skal sammenhængskraften i det danske samfund bevares, og skal vi fortsat have et velfærdssamfund, er det næppe hensigtsmæssigt at øge den sociale ulighed, sådan som det sker i disse år. Og når det gælder valg af uddannelse og chance for at gennemføre en uddannelse uanset dens længde, har både skolen og uddannelsesinstitutionerne en opgave. Den opgave fordrer nogle aktive tilvalg fra skolens og institutionernes side i form af pædagogisk og didaktisk udvikling af indhold og metoder og udvikling af tilgange til elever og skolekultur. Det er på baggrund at Freedom Writer-pædagogikkens narrative metode byder sig til og kan noget. Tankegangen kan illustreres som følger: 1) Vi lever i nutiden. 2) Vi er historieskabte, dvs. vi har rod i fortiden. 3) Vi er historieskabende, dvs. bestemmende for fremtiden. Målet er at synliggøre dette. Narrativet er vejen til denne synliggørelse – helt konkret i form af biografiske fortællinger. Denne bog illustrerer nogle af de metoder, der kan tage si anvendelse for at fremme den individuelle fortælling – der kan medvirke til at gøre skolens tilbud nærværende, relevant og motiverende selv for den skolefremmede elev.

    • Everybody Has a Story, VI: Erasmus 2016, Campus Haderslev
      Everybody Has a Story, VI: Erasmus 2016, Campus Haderslev

      Everybody Has a Story, VI: Erasmus 2016, Campus Haderslev

      Torbjørn Ydegaard (Ed.)
      0 ratings
      0 ratings

      The ways and methods of the Freedom Writers as a pedagogical concept are not tied to theories but to practice and to practical life in the classroom. It therefore has more to do with tools than with books – and the most significant tool in the Freedom Writer pedagogy is the narrative. But even in a very practical world tools can be reflected on – and have to be reflected on in order to give us an idea about what is going on. So it is with narratives, too. Narratives are about lived lives, and a way to take or regain power over one’s life. Therefore, the narrative is a pathway to empowerment. By writing, reading or listening to the narratives the story-teller will experience forms of recognition that foster in him or her a feeling of self-confidence, self-esteem and self-appreciation – feeling that many have not been granted until now. This book is an account of a Freedom Writer-course, where practical writing- and art-exercises are ‘warming up’ the students – making them confident with the situation, each other and the published media – in order to write their own narrative.

      The ways and methods of the Freedom Writers as a pedagogical concept are not tied to theories but to practice and to practical life in the classroom. It therefore has more to do with tools than with books – and the most significant tool in the Freedom Writer pedagogy is the narrative. But even in a very practical world tools can be reflected on – and have to be reflected on in order to give us an idea about what is going on. So it is with narratives, too. Narratives are about lived lives, and a way to take or regain power over one’s life. Therefore, the narrative is a pathway to empowerment. By writing, reading or listening to the narratives the story-teller will experience forms of recognition that foster in him or her a feeling of self-confidence, self-esteem and self-appreciation – feeling that many have not been granted until now. This book is an account of a Freedom Writer-course, where practical writing- and art-exercises are ‘warming up’ the students – making them confident with the situation, each other and the published media – in order to write their own narrative.

    Author

    Torbjørn Ydegaard (Ed.)

    Torbjørn Ydegaard is a Freedom Writer Teacher and teaching coming teachers at University College South-Denmark.

    Read more from Torbjørn Ydegaard (Ed.)

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