DIRECT ACTION, 13min., UK
Directed by Tor Kristoffersen
A teenage environmentalist leads a protestagainst a coal mine, setting her on a collision coursewith her father, the police and courts.

https://www.instagram.com/torkistoffersen/

Get to know the filmmaker:

A few things – the first is obviously the climate crisis, which is pretty much the backdrop (in some way) for all the scripts I write – having this unprecedented and existential issue staring us in the face, which we’re not really dealing with has always motivated me to try and tackle it in some small way and I think fictional stories are a very important way of doing that. In England we’ve got a government which after making some good noises about Net Zero has started giving the green light for more coal mines and oil fields, while at the same time introducing some draconian laws making peaceful protest virtually illegal and giving some pretty hefty sentences to climate protesters which is pretty alarming. Most climate protesters don’t want to go out and start marching down streets (you can trust me on that) but they’re pretty well informed on the science – indeed the ones I know are some of the most educated people in our society such as doctors and scientists so it’s quite alarming when we start locking these people up for trying to raise awareness of the subject. I totally appreciate that their tactics can divide the room but the reason they’re doing this is because we’re ignoring the problem.

The other main issue I was interested in was how a lot of young females were being dealt with (particularly by the press in the UK) for taking part in these protests — basically how they were being branded as ‘fanatical’ and that reminded me of the suffragette movement. We look back on that with selective amnesia in the UK, Emily Pankhurst and the woman who fought for their rights are now rightly celebrated but at the time they were horribly vilified and they had to use some pretty hard core tactics which are never mentioned. A lot of women were imprisoned for simply wanting rights and I found there to be an interesting parallel here. So out of that (and a few women I have met) Emily Phliips was born – I then really liked the idea that her mum had played a role in activism but her dad saw work opportunities in the mine – this enabled me to bring the other side I wanted to explore as well – which is the struggle a lot of people have with paying the bills and how lack of political leadership makes the transition away from fossil fuels very real and economically scary for a lot of people. These are themes I was able to explore more in the feature but they’re touched on very lightly here.

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