Watch the Screenplay Reading: https://youtu.be/QexzCn2nFPc

 A down-on-her-luck violinist reluctantly accepts an offer to teach a young boy with severe social anxiety.

Get to know the writer:

Dischordant is a live action/animation hybrid about self-destructive, single Rachel, a forty-year-old violinist whose greatest dream is just to get her job back with the Adelaide Symphony Orchestra but fucks it up every time, and David, a selectively mute, neurodivergent eleven-year-old with a dark secret, who just wants to fit in.

Rachel struggles to connect with and unlock her full talent. Her technique is perfect, but her heart? That’s locked away. In the pilot, Rachel loses her job and her beloved cat, and – once again – blows an audition with the Symphony Orchestra. She’s under constant pressure from everyone around her – Gracie, her half-sister who suffers from PTSD, her mum Joan who pesters her at every turn and who develops early onset Alzheimer’s, and her needy BFF Lucy who, through her own insecurities, makes Rachel feel worthless at every turn. So of course, Rachel has her emotional barriers wayyyyy up. Until now she has been unable to break through these barriers, but David is going to change all of that.

Rachel and David form a unique bond of trust, mainly through music which flows through the series almost like a character itself. Music is the only thing that can calm David when he’s going through his “darkening” – like when the neighbour mows his lawn too loudly, or the markers scratch too loudly on the whiteboard at school. David will eventually learn to trust Rachel, and finally reveals to her the dark secret that made him selectively mute. Rachel must now decide whether to breach his trust in the name of justice, or keep his nightmarish secret and let someone get away with murder.

Dischordant is a character driven, no filter dramedy about falling down and getting back up, time and time again. About being rejected over and over and learning how to live with that. It’s sarcastic – the characters use humour as a coping mechanism – but it is always rooted in the reality of the constant fight to get what you want, no matter how many times you have to claw yourself out of that hole. As viewers, we want Rachel to succeed, we want her to fight, because if she doesn’t, what hope do the rest of us have?

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