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State of Disgrace: 'Crash' (2005) and 'Green Book' (2018)

State of Disgrace: 'Crash' (2005) and 'Green Book' (2018)

FromThe Sleepless Cinematic Podcast


State of Disgrace: 'Crash' (2005) and 'Green Book' (2018)

FromThe Sleepless Cinematic Podcast

ratings:
Length:
90 minutes
Released:
Apr 3, 2024
Format:
Podcast episode

Description

For our Unique Best Picture Winner "Two-Shot" episode, Madeline and Julian finally see (and Emilio rewatches) two of the more upsetting upset winners of the Academy Award's last twenty years, Paul Haggis' passion project 'Crash' and Peter Farrelly's mismatched-buddy-road-trip picture 'Green Book'.   They reflect on what social conditions existed that might have led to their ascension to Best Picture consideration, as well as what was internal (and in some cases endemic) within the Academy that put these films  over the top.  The trio is firmly in agreement that the racial themes of 'Crash', while important to consider, are handled so poorly and lazily rendered on screen.  With very few exceptions, the redeeming qualities of 'Crash' are practically non-existent.   And while Emilio agrees with the others that 'Green Book' is not Best Picture worthy, he makes a case for why this movie is a little better than its current reputation would have you think it is. If you enjoy our podcast, please consider writing us a positive review on your podcast platform of choice. It really helps us be shared and enjoyed by others!Follow us on IG and TikTok! @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.com!On Letterboxd? Follow Julian @julian_barthold and Madeline @patronessofcats 
Released:
Apr 3, 2024
Format:
Podcast episode

Titles in the series (21)

Emilio, Madeline, and Julian love music, and spend their afternoons and evenings working for and teaching at a music school in midtown Manhattan.  But they also really love movies.  A lot.  So when they're done teaching, they stay up late and discuss a movie, sometimes a few, that they've all agreed to see recently.  Opinions, musings, personal stories, and sincere film enthusiasm ensue.