Christian Quiñones is a Puerto Rican composer who explores personal and vulnerable stories through the lens of cultural identity. From sampling to auto-tune, and to interactive multimedia, Christian is interested in interacting with existing music to create intertextual narratives.
Recently Christian was selected as a composer in residence at the Copland House, and as a fellow for the St. Louis Symphony Orchestra Workshop, Cabrillo Festival, and the Bang on a Can Summer Festival. In 2020 he was selected for the Earshot Underwood Orchestra Readings where he worked with the American Composers Orchestra. 
He has received commissions from the New York Youth Symphony, Dogs of Desire (Albany Symphony), Transient Canvas, the icarus Quartet, the Bergamot String Quartet, Chromic Duo and the Victory Players where Christian was the 2018-2019 composer in residence. 
His music has been performed by leading ensembles and performers such as Alarm Will Sound, Dal Niente, Hub New Music, Loadbang, Charlotte Mundy, Dither Quartet, Bergamot Quartet, Yarn/Wire, Onix Ensemble, Chromic Duo, Unheard-of Ensemble, Trio Sanromá, Victory Players, Chromic Duo, the American Composers Orchestra, and René Izquierdo.
He obtained his BM in Music Composition at the Conservatorio de Música de Puerto Rico, studying composition and orchestration with Alfonso Fuentes, and in 2019 Christian was a recipient of the Graduate College Master’s Fellowship at the University of Illinois at Urbana-Champaign, where studied with Carlos Carrillo and Reynold Tharp. Currently, Christian is a Ph.D. President’s fellow at Princeton University where he studies with Steve Mackey, Donnacha Dennehy, Nathalie Joachim, Juri Seo, and Tyondai Braxton.
? https://christianquinonesmusic.com/
? “Hasta que no pueda,” for amplified sinfonietta and sampler: https://on.soundcloud.com/mDPSC
? “My voice is a broken chorus,” for amplified soprano and electronics https://youtu.be/RJwd4_F42NI?si=35zzgDTRZeqgfPLj
? Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
??‍? BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html
? NEWSLETTER that shares the latest news about my music and shows:  https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
? SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
Touch Designer: https://derivative.ca/
? Timestamps 
01:45 “Hasta que no pueda,” for amplified sinfonietta and sampler
21:55 “Artifacts,” for laptop, keyboard, live electronics, and visuals
40:30 “My voice is a broken chorus,” for amplified soprano and electronics [II. waning crescent]