We’re continuing our chat (check out part one on episode 73) with Michigan State University and Interlochen Arts Academy double bass instructor Jack Budrow this week on Contrabass Conversations. In addition to helping place students in major orchestras across the globe, Jack has had a very distinguished performance career as a former member of the Houston Symphony, Santa Fe Opera Orchestra, and as Principal Bass of the North Carolina Symphony.  Jack discussed several topics of great interest to double bass students and performers with co-host John Grillo and me, including: musical leadership and qualities of good principal bassists qualities found in good conductors how music students are seeing fewer and fewer concerts emotion in music – country music’s got it limitations of rock music in conveying emotion body maintenance and how to stay healthy as a bassist We also feature music from double bass performer and composer Peter Askim. Learn more about Peter at his websitewww.peteraskim.com. Enjoy! About Jack Budrow:Jack Budrow is professor of music and co-chair of the string area at the Michigan State University College of Music.He has enjoyed a long and varied career in double bass performance and teaching. Budrow has been a member of the Houston Symphony, and principal bass of the North Carolina Symphony, Santa Fe Opera, and the American National Opera orchestras. A well-known teacher, Budrow’s students play in many of America’s symphony orchestras, including Cincinnati, San Francisco, Atlanta, Houston, Charleston, San Antonio, the Michigan Opera, and the Army Band. Internationally, he has placed students in the Oslo Philharmonic, Israel Philharmonic, Munich Radio Orchestra, and the Caracas Symphony.Each summer, Budrow teaches at Interlochen Center for the Arts and Indiana University. He serves on the board of directors of the International Society of Double Bassists, and was a judge for their most recent International Solo Bass Competition. Budrow has presented master classes throughout the United States, including the Cleveland Institute, Florida State University, University of Houston, Indiana University, University of Michigan, Peabody Conservatory, and University of Texas. In addition, he served as the bass section coach at the National Orchestral Institute and New World Symphony. Budrow received his B.M. from Bowling Green State University. About Peter Askim: Active as a composer, conductor and double bassist, Peter Askim is the Music Director and Composer-in-Residence of the Idyllwild Arts Academy. He has been a member of the Honolulu Symphony Orchestra and served on the faculty of the University of Hawaii-Manoa, where he directed the Contemporary Music Ensemble and taught bass, theory and composition. He has had commissions and performances from such groups as the Tokyo Symphony Orchestra, the Honolulu Symphony, Orchestra Asia-Japan, the International Society of Bassists, the Yale Symphony Orchestra, the Idyllwild Arts Orchestra, the Portland Chamber Music Festival, and Serenata Santa Fe, as well as by performers such as flutist/ conductor Ransom Wilson, Metropolitan Opera soprano Lauren Flanigan and Grammy-nominated soprano Judith Kellock. His compositions are published by Liben Music Publishers, Discordia Music and the International Society of Bassists, and his music is recorded on the Gasparo and Albany labels. Musical Selection: Edge for Solo Double Bass – written and performed by Peter Askim