French photographer Robin Galiegue has carved a distinctive niche in the world of contemporary photography, captivating audiences with a refreshing vision of beauty, style, and attitude. Galiegue's early experimentation with makeup, styling, and photography laid the foundation for a career marked by raw energy and a timeless aesthetic. Seamlessly blending fashion, portraiture, and reportage, his notable projects include a recently published book and work with directional publications like Vogue Italia, Self Service, and Harper’s Bazaar France, and collaborations with brands such as Saint Laurent, Isabel Marant, Tom Ford, and Hermès. In a world where he sees people molding into different personas online, Galiegue believes what is contemporary now is being oneself, in work and in life.
Episode Highlights:

Early ambitions: Born and raised in Lille, France, to artistic-minded parents, Robin Galiegue always had ambitions to move to a bigger city and first felt drawn to images and fashion at 14 in directing a photo shoot with his sister. 

The big move: Dropping out of school at 16, Galiegue attended photography school in Paris, deciding over the course of five days. 

Without reference: Coming to school with zero cultural exposure to photography, Galiegue gained technical expertise and was driven to work, though he knew little English and was not assisting. 

Nerves: Even as a big name in the industry today, Galiegue is nervous about approaching collaborations, such as with legendary model Linda Evangelista.

Hard to sit still: Being in Paris—or in large, bustling cities—incites Galiegue’s desire to work rather than relax; he sees them as villages that offer bursts of energy.

“Shooting has to be fun”: Known in the industry as a kind presence, Galiegue has an intuitive understanding of when to be firm and when to prioritize kindness. 

Merging visions: Galiegue enjoys working with brands, stylists, and collaborators with strong voices to make something exciting and new. 

Finding inspiration and peace: Traveling, meeting new people, having friends not in the fashion industry, and discovering new cultures keep Galiegue engaged in his creative work after hours. 

What’s contemporary now: Galiegue sees so many people playing roles on social media, so what’s contemporary or necessary now is being yourself. 

Fear of AI: Galiegue is not interested in AI and is more scared of its potential to replace collaborators and artists.