Writing a musical is a long process, and once the writers are have finished that last page…that’s really only the beginning of their journey. By the time an actor comes along to audition for it, there’s usually been years of drafts, workshops, and revisions. 
Listeners of this podcast know that this summer has been a welcome return to the stage for me in a new theatrical adaptation of Anne of Green Gables, my first musical since the covid shutdown and it all started with a self-tape audition back in February of this year that then culminated in several callbacks with the creative team a few weeks later. Well today, I’m joined by two of the people who were in that audition room: composer Matt Vinson and writer Matte O'Brien.
While there have been individual writers and composers on previous episodes, this is the first time welcoming a musical writing team to the show. Matt and Matte have done several musicals together, but for this conversation we focus on the many years it has taken for Anne of Green Gables to get to Goodspeed Musicals in Connecticut, and how they are preparing for its potential future. Matt and Matte share three stories of its humble beginnings, learning to take (and not take) feedback from others, and how actors influence the rewriting and editing process. 
Click here for a transcription of this episode.

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Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
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