Sometime before the pandemic, I auditioned for a small off-Broadway production of the Lerner and Loewe musical The Day Before Spring. It was at the York Theater, which is known for refreshing older musicals that have had a shorter shelf-life. I wasn’t cast in that particular production, and like most failed auditions I put it out of my mind as soon as it was done, but I never was able to forget the director behind the table, and so I finally reached out to bring him onto the podcast.
Marc Acito is a playwright, novelist, and director. He talks about the work that he does in adapting older shows or contemporary works, bringing fresh set of eyes and perspective to creative process. Marc is also a writer of his own work from plays like Bastard Jones and novels including How I Paid for College: A Novel of Sex, Theft, Friendship and Musical Theater to short films like Mad/Woman. Through each of these mediums, has fallen short, but he’d be the first to tell you how grateful he is for those lessons learned. 
Final Five with Marc Acito
After this main conversation, Marc stuck around to answer the five final questions. He shares his definition of "making it" as well as what keeps most Broadway shows from doing the same. He also discusses minimum wage, happy marriages, and one of the best theater people around, Andre DeShields. Read it all on the WINMI Blog.
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Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
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