How was ‘The Holdovers’ made? Producer Mark Johnson takes Alex Zane through the production to understand the decisions that led to the casting of Paul Giamatti, Da’Vine Joy Randolph, and Dominic Sessa, the movie’s 1970s aesthetic, and how the film’s early screenings shaped the final cut.Along the way, Johnson reveals some of the curious moments in the shoot; including how the impromptu casting of a real life liquor store manager led to one of his favourite moments in the movie.‘The Holdovers’ is nominated for Best Film at the EE BAFTA Film Awards 2024. To discover who wins the trophy, tune in on 18th February on BBC One and iPlayer in the UK as well as around the world, including on BritBox in North America - and discover more interviews with the nominees and longlisted movies when you follow Countdown To The BAFTAs.To read the transcript from this episode visit the BAFTA website, where they will be available soon.Produced by Matt Hill and Ollie Peart at Rethink AudioSound Design by Peregrine AndrewsHosted by Alex ZaneA BAFTA production Hosted on Acast. See acast.com/privacy for more information.