If there's one type of music that goes particularly well with complexity science, it's free jazz. The sort of jazz that you get when you put a group of musicians together without a conductor or any written music. But despite this, they still produce incredible music. So how does this group of musicians play so tightly together, whilst creating such dramatic changes to their music?
In this episode, we're joined again by Tyler Marghetis, Assistant Professor of Cognitive and Information Sciences at the University of California, Merced. Tyler is going to return to the concept of tipping points, but this time, he's going to explore tipping points through the context of jazz music. To understand how they occur, he's going to go to one of the most unlikely places for help: the study of ecologies.
 
Resources and links:

'Zadok the Priest' by Handel - Classical (composed) - This piece tips at 01:22

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'Implosion' by Alex Levine Quartet - Free jazz (improvised) - This piece tips between 00:10 to 00:30, and again between 02:20 to 02:40.

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Connect:

Simplifying Complexity on Twitter
Sean Brady on Twitter
Sean Brady on LinkedIn
Brady Heywood website
This show is produced in collaboration with Wavelength Creative. Visit wavelengthcreative.com for more information.