You are invited back into the Talking Hitchcock screening room! Join creator and host, Hitchcock enthusiast, Rebecca McCallum with special guest writer, podcaster and founder/Editor in Chief of Moving Pictures Film Club -Tim Coleman.
In this episode, I had a truly memorable and enlightening conversation with my special guest and we got so carried away in our Merry Widow Waltz that we had to record this in two parts!
So, join us for a drink at the Till Two Bar as we discuss the disruption of the American family, Hitchcock’s identification with those he positions as heroic and villainous and whether a tune can really jump from one person’s head to another and as we peel back the layers of 1943’s magnificent Shadow of a Doubt.

Find Talking Hitchcock on Twitter @hitch_pod and Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email us on talkinghitchpod@gmail.com

You can find Moving Pictures Film Club on the following platforms -Twitter @MovingPicsClub and Instagram: @movingpicsclub   
Website: movingpicturesfilmclub.com
 
And you can find Tim Coleman here: Twitter @fatscoleman and Instagram: @fats_coleman
 
Find Rebecca and her work on Twitter and Instagram @PendlePumpkin

Read Rebecca's Hitchcock's Women series with Moving Pictures Film Club here: ⁠⁠Hitchcock’sWomen (movingpicturesfilmclub.com)⁠
 
References:


Shadow of a Doubt (1943)
Bureau of Motion Pictures and a Manual for the Motion Pictures Industry (June 1942)
Hitchcock and Truffaut (Interviews)
Don’t Understand, My Darling-The Girl Grows Up in Shadow of a Doubt’ (Murray Pomerance)
Ideology, Genre, Auteur: Shadow of a Doubt in Hitchcock’s Films Revisited- (Robin Wood)
Shadow of a Doubt (Diane Negra)
The Women Who Knew Too Much (Tania Modleski)