This week, we talk to L.A. comedian & filmmaker Max Beasley, who chose Todd Haynes' glam rock-driven narrative film ‘Velvet Goldmine.’ We discuss the ambitious and experimental nature of the film, how hard it is to adapt fictional characters from real-life musical legends, why this film found an audience long after its theatrical run, and how it ended up having one of the biggest impacts on Max’s life and art.So as Bowie once sang ‘Come on, come on, we’ve really got a good thing going’ on this week’s episode of Revolutions Per Movie.Max Beasley:www.instagram.com/maxbeasleyy/twitter.com/maxbeasleyyyTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenslinktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Hosted on Acast. See acast.com/privacy for more information.